‘The length of a film should be directly related to the endurance of the human bladder.’ Alfred Hitchcock
Hóra! I hope you’re keeping well, and if you’re not keeping well, that you’re keeping on.
I’m drawn to films about love and relationships for reasons beyond full explanation. In the Myers-Briggs Type Indicator or the Enneagram, I fall heavily on the feeling or heart side in both … just a wee bit of context as to why the following movies grabbed me!
Heads-up: I don’t write reviews as such; they are more like lasting impressions and they contain spoilers, which I will fore-warn you about.
The Invite
The Invite was the first film in the past year or so that led me into a mainstream cinema — twice! It’s dialogue-rich and I relished a second viewing to fill in any gaps in my attention. The vast majority of it takes place in a couple’s apartment, so I imagined that the script and character development would make up for lack of filmic excitement. Instead, Olivia Wilde’s stylish directing gave way to much visual interest; an assortment of shots from sometimes unexpected angles, ubiquitous use of mirrors and reflection, lingering moments and subtle variation in perspective. Bravo Olivia Wilde.
The screenplay, written by Cesc Gay, Rashida Jones and Will McCormack, was whip-smart and punchy. There was quite a lot of humour in it, yet it didn’t feel implanted there for deliberate laughs. The humour emerged through the characters whom we got to know effortlessly by virtue of the four actors’ adept inhabitation.
Spoiler alert! The treatment of romantic love and domestic partnership was layered and nuanced. Oftentimes in real life, there is no villain or a singular relationship-ruiner, even though we humans can be hellbent on finding one. Experience would suggest that there is such a thing as a romantic relationship running its course and transforming into a different kind of relationship.
The closing scene, for me, deemed this movie a masterpiece. There was a sense of release, tenderness, sensuality, possibility and soul in that one scene. The couple, played by Olivia Wilde and Seth Rogen, appeared more intimate once they had set one another free. Could there be a purer expression of love than that?
Stuck in Love
Stuck in Love was released in 2012 and I have seen it many times. I re-watched it this week because it had been a while, and I love it! I love it for so many reasons: it’s about writers (who get to live by the sea), it has one of my favourite Raymond Carver quotations in it, its knockout soundtrack features the inimitable ‘Between the Bars’ by Elliott Smith, and the characters are substantial people.
Greg Kinnear’s expressive face draws me right in and his character experiences love devoid of pride. Just as the Invite acknowledges that romantic love can have an expiry, Stuck in Love acknowledges that romantic love can be lost and found.
I reckon that love is simultaneously the simplest and most complicated aspect of life, especially since the word ‘love’ seems to be used evermore freely these days. I read and hear ‘sending love’ or some variant on social media between people who have never met one another, who will never meet one another and who would not carve out time for one another in their daily lives. It is sweet to be generous with oral and written expressions of ‘love’, but by being so generous with the word, is the meaning of the word itself being diluted?
I digress! In a world that can latch onto binaries, Stuck in Love has nuance, as well as emotional veracity and perfect casting. Jennifer Connolly has the ability to communicate so much with her eyes alone. I will never tire of this movie, and I will probably never not cry at this movie.
Prime
I first saw Prime in 2005 when it was released in the cinema. I left the cinema in a wave of sorrow because I was, what can only be described as, a hopeless romantic. Back then, nothing was more important to me than romantic love and yet relationships had always been inherently painful. I used to feel heavyhearted by the ending of other people’s relationships, let alone by the complexities of my own.
Spoiler alert! The characters played by Uma Thurman (Rafi) and Bryan Greenberg (David) have a beautiful union in this movie. The scene at the end that left me sorrowful when I was 25, lifted my heart at 46. They bump into one another a year post-break-up. David is standing outside a restaurant while Rafi is inside with friends. He clears the fog on the glass of the restaurant door just to look at her, smile at her. She senses him and smiles back. There is such affection, such shared understanding in their eyes. Unlike so many romantic comedies where the couple lives happily ever after, in this movie, just as in The Invite, they set one another free.
I was left sobbing by the intimate scene in which David offers to have a child with Rafi out of love for her, despite not sharing her desire to have a child. Rafi declines for his sake, showing her deep regard for his well-being. She is touched by his selflessness and tells him that’s the gift she’ll take from him. As in The Invite, the ending of this relationship is portrayed with warmth and intimacy.
Love comes in many guises, and ‘happily ever after’ really is only one of them.

Wishing you peace, and sending a smile from my neck of the woods to yours.













